HomeNationalThe mystique of laureate Dadasaheb PhalkeOUS News

The mystique of laureate Dadasaheb PhalkeOUS News

As the renowned actress of yesteryear, Asha Parekh, turned 80 on Sunday, it was a moment of triumph. On September 30, 2022, she received India’s highest honor in cinema, the Dadasaheb Phalke Award. In 2002 Asha Parekh received the Filmfare Lifetime Achievement Award and in 1992 she was honored with Padma Shri.

Asha Parekh holds the distinction of becoming the first female chairperson of the Central Board of Film Certification (CBFC).

Born on October 2, 1942 to mixed parents, Asha Parekh shares her birthday with Mahatma Gandhi. This perhaps explains his philanthropic disposition. She founded a hospital and the Asha Parekh Research Center.

MS Education Academy

Asha Parekh has become an icon of composite Indian culture. Asha Parekh exuded a grace that came to define her character on screen.

Legend, superstar and highest paid actress, Asha Parekh has set the benchmark for glamor on the big screen. She immortalized romance in Hindi cinema.

Jaaiye aap kahaan jaayenge, yeh nazar laut ke phir aayegi to Mere Sanam; Aankhon se jo utri hain dil mein, tasveer hai ek anjaane ki, khud dhund rahen hain shama jise, kya baat hai us parwaane ki in Phir Wohi Dil Laya Hun; Ek baar zara phir keh do, mujhe sharma ke tum deewana to Bin Badal Barsaat; Yeh kali jab talak phool banke khile, intezaar karo at Aaye Din Bahaar Ke; and Lo aagayee unki yaad, woh nahi aaye.

Asha Parekh is a trained dancer. She impressed her audience with her dances. For filmmakers, it has become mandatory to include a dance number by Asha Parekh.

Tum jaise big de babu se main ankhiyan milaaun at Jab Pyaar Kisi Se Hota Hai; Yeh meri zindgi, ek paagal hawa and Raat ka sama, jhoome chandrama, tan mora naachere jaise bijuria in Ziddi; and Koi matwala, aya mere dwaare in Love In Tokyo are some of his magical and spellbinding dance numbers.

Significantly, Asha Parekh took her passion for dance seriously. She used to take breaks from acting, in order to undertake world tours with her dance troupe.

In 1959, for Dil Deke Dekho, Sadhana was the choice. Sadhana did not come. At the last minute, Asha Parekh was offered the lead role, opposite Shammi Kapoor. Dil Deke Dekho was a runaway success. A star Is Born.

Asha Parekh then delivered a string of super hits in a row: like Jab Pyaar Kisi Se Hota Hai in 1960; Chhaya in 1961; Apna Banake Dekhi in 1962; Bin Badal Barsaat and Phir Wohi Dil Laya Hun in 1963; Ziddi in 1964; Teesri Manzil, Mere Sanam and Love In Tokyo in 1965; and Aaye Din Bahaar Ke and Do Badan in 1966.

Interestingly, Asha Parekh was the mascot of the golden age of Hindi cinema. It was the time when, by dint of its name, a film was sold. It was the time when directors would first write him down and then go for the hero. It was the time when she could deliver a jubilee blow.

Bimal Roy discovered Asha Parekh by seeing her dance performance on stage. He cast Asha Parekh as a child artist in 1952’s Maa and 1954’s Baap Beti. Famed film producer Shashadhar Mukherjee and writer-director Nasir Hussain gave him the big break in 1959’s Dil Deke Dekho that made of her the most glamorous star of Hindi. Movie theater.

Yet it was with Do Badan in 1966 that she managed to prove herself as an actress. It was a tragic love story cast in the Laila-Majnu mould. This gave him the opportunity to prove himself as a serious star. In song sequences, Jab chali thandi hawa, jab jhuki kaali ghata, mujh ko aie jaan-e-wafa tum yaad aaye and Lo aagayee unki yaad, woh nahi aayeshe could show the emotion and the pathos that set her apart as an actress.

Kati Patang, made in 1970, featured a completely deglamorized Asha Parekh. She went on to win the Filmfare Award for Best Actress.

Asha Parekh has always considered herself to be among the stars like Saira Bano and Sharmila Tagore in their daring roles and breaking with stereotypes.

After Madhubala, known for her legendary beauty and acting prowess, Asha Parekh is in her league.

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